This is the first of a number of posts which will explore the palette of the Ruzbihan Qur’an, the spectacular 16th century Persian manuscript currently at the centre of our exhibition Lapis and Gold: The story of the Ruzbihan Qur’an.
In late 2013 and early 2014, two rounds of non-invasive scientific analysis helped to identify the pigments used by calligrapher Ruzbihan Muhammad al-Tab‘i al-Shirazi and his team of artists. The pigment analysis was part of a larger research project to increase our knowledge of mid-16th century Shirazi artists’ materials and techniques, contributing to a fuller understanding of the working methodologies of Islamic book artists at this time.
Examining folios from the Ruzbihan Qur’an (CBL Is 1558) with scientists from MOLAB® (left) and curator Dr Elaine Wright (right) in the conservation lab.
The European Commission funded MOLAB® Transnational Access Service, sponsored two teams of dedicated scientists, who…
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