The Romance of Laur-Chanda by Medhavi Gandhi from The Heritage Lab

Love stories never go out of fashion, especially when they are narrated using songs and drama. The story of Laur and Chanda, is one such story. The folklore is performed till date in Uttar Pradesh, Chattisgarh and some parts of North India. Many moons ago, somewhere around 1377-78 AD (the Sultanate Period), a Sufi poet, Maulana Daud composed this narrative in Avadhi, giving birth to the first surviving Indian Sufi romance.

A reason why I am drawn to museums is because they are a storehouse of  stories. I chanced upon the story of Laur and Chanda at the Government Museum & Art Gallery, Chandigarh. A delicate set of folios, the Museum has a great book on the collection.

THE STORY & ITS CHARACTERS

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Laur enters Chanda’s bed chamber.

The narrative begins with the birth of a beautiful Chanda to King Sahadeva of Govar. While still very young, she is bound in wedlock to a blind and impotent Prince. The great beauty that brought her this lamentable fate also releases her from it, for the unhappy maiden catches the eye of a wandering ascetic, Bajir. Bajir sings her praises wherever he goes and sets the story in motion. His songs arouse the lust of King Rupchand so much so that he forcefully tries to forge an alliance with King Sahadev. This is when our hero, Laur is brought in by the King, to overcome and kill Rupchand; but he falls in love with Chanda, though not before achieving his goal.  Chanda engages her confidante, Brihaspati in arranging secret meetings with Laur. But the story isn’t as simple because Laur is married to Maina – who comes to know about her husband’s illicit love and devises ways of winning him back when he elopes with Chanda. Chanda and Laur’s elopement itself is ridden with challenges – snakebites, thieves and the King Mahipat – who invites Laur to a game of dice and wins everything including Chanda. He is, however, outwitted by Chanda and they journey on. Maina on the other hand, entrusts Sirjan, a caravan leader with the task of locating her husband. Eventually, Laur and Chanda return but the lovers’ plight does not end with confrontation and Chanda ends up as Laur’s second wife.

THE CHANDIGARH MUSEUM FOLIOS

The folios of Laur-Chanda are rare and significant in artistic terms. A set of 24 folios has survived, of which 14 lie with the Lahore Museum in Pakistan, and 10 in India’s Chandigarh Museum. The poem by Maulana Daud testifies to his genius as a great storyteller. The artist pays tribute to this very genius by placing him in every folio – almost reminding the viewer of the origins of the story. You will notice him in white with a holy book in every frame.

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More: http://www.theheritagelab.in/laur-chanda/#comment-7

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Some remarks—often with photos!—about manuscripts and the languages, literature, scholarship, and history of Christian culture in the Middle East.

ہم سب

ہم سب مل کر چلیں گے

A Fine Balance ©

A blog about work, life and the pursuit of balance.

Shapes of Space

The shape of space to come

Sufi Events

"We carry inside us the wonders we seek outside us." - Rumi

RoamingArtist's Blog

Artandtravel.com weblog

Pakistan Travel & Culture

Pakistan Travel & Tourism, culture, history and news articles.

History and Chronicles

INDIAN HISTORY

All About Asia

The Asian Diaries

Drawn&made

Hello, this is the creative blog of Mark & Heather, we're freelance designers.

ARThound

Geneva Anderson digs into art

ASHA: Blast From The Past

The Blog of Aligarh Society of History and Archaeology [ASHA]

hmmlorientalia

Some remarks—often with photos!—about manuscripts and the languages, literature, scholarship, and history of Christian culture in the Middle East.

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